The man in @Image1, @Image2, @Image3. @Image4 is the exact shot to reproduce: the same room, the same camera position, the same camera distance, and the SAME SIZE OF THE MAN WITHIN THE FRAME — seated well back behind the white desk, head and shoulders in the upper middle with wall visible on both sides, the desk running the full width of the frame, the tall plant behind him rising higher than his head.

HOW HE MOVES — this paragraph governs every beat below and overrides any of them. He is explaining a procedure to one person who is listening, not performing to an audience. His emphasis lives entirely in his VOICE: when his voice rises, gets louder or presses harder, his face and his hands stay at exactly the level they were at before, and do not rise with it. Every gesture stays small, low and close to his body, below chest height, and no gesture ever reaches out toward the camera. His eyes stay open the whole time — he never squeezes or closes them for emphasis. Any smile stays small and closed-mouthed; it never widens into a grin and never shows a full set of teeth. Where his speech pauses, his face simply rests and holds — he does not fill a silence with an expression.

He says the dialogue from @Audio1, in the exact voice of @Audio1: "So first step, we put Claude into plan mode and you start putting in your thoughts, your ideas, what you want to build, and anything you have in mind about your application."

[0s-2s] He starts already mid-thought, leaning in very slightly. As he says "So first step" his right hand comes up off the desk beside the laptop, index finger raised for a beat. A small, closed-mouth smile at the corner of his mouth.
[2s-5s] The raised finger opens into a flat palm turning upward as he says "plan mode", his hand moving in a small unhurried arc, staying low over the desk. His eyes leave the lens for a moment, down and to his left, the way someone's do while they picture the thing they are describing, then come back.
[5s-8s] On "your thoughts, your ideas" one hand makes a small movement close to his chest, never blocking his face. THERE IS A PAUSE IN HIS SPEECH AT ABOUT SIX SECONDS: through that pause his mouth simply closes and rests, his eyes stay on the lens, and his expression does not change at all — no smile, no widened eyes, no eyebrow movement, nothing fills the gap. His hands are still through it.
[8s-11s] On "what you want to build, and anything you have in mind" HIS VOICE BECOMES LOUDER AND MORE EMPHATIC HERE, AND HIS BODY DOES NOT FOLLOW IT. One hand turns palm-up once, low and close to his chest; it does not extend, does not reach toward the camera, and does not rise above chest height. He does not lean forward or back, and his eyebrows stay down and level. His expression stays calm and direct while his voice does the emphasising.
[11s-12s] The hands come to rest on the desk. He holds the lens for a beat after the words stop, and blinks once.

Throughout, his hands stay in the space between the laptop and the right edge of the frame where they are clearly visible above the desk, and they never cover his mouth or his face. Do not beautify him, do not smooth or slim his face: keep the skin texture, the uneven beard edge and the lines of the reference photographs exactly as they are.

Shot on a full-frame camera with a 35mm lens at an aperture of f/1.8: shallow depth of field with the room falling softly out of focus behind him, fine natural film grain, true-to-life colour. Vertical framing, camera at his seated eye level and straight on, locked off on a tripod with only the faintest natural drift. One continuous shot. No music. No subtitles. No text overlays. No cuts.
